Updated Bio and Dali’s Table

Dalifromside

Dali’s Table, 2017 Patterns upon patterns over the distorted red pattern from Dali’s 1956 painting Living Still Life (French: Nature Morte Vivante) Dali painted this piece during a period that he called “Nuclear Mysticism.”[1] Nuclear Mysticism is composed of different theories that try to show the relationships between quantum physics and the conscious mind. The different theories are composed of elements that range from “Catalan philosophers” to “classicismpop art, and nuclear physics.”[2] The painting, done in 1956, currently resides at the Salvador Dali Museum in St. Petersburg, Florida.

I find beauty in unexpected places.  As a “hacker” I take things apart and re-purpose them in cool new ways. I transform “e-waste”- discarded electronics and outdated computer components into dynamic compositions that combine 2D color and pattern with 3D abstract forms. My work touches upon issues ofintimacy, excess, ecology and raising awareness. My work has been described as being ”structural poetry.”

 

Growing up, my Dad worked at Raytheon (1960-90) and brought home outdated equipment that was being thrown out. I never opened a computer until I joined The Artisan’s Asylum, maker space in Somerville MA in 2012.  Since that time I have learned a great deal about the abundance of outdated technology and the toll it is taking on the world because manufacturers do not take responsibility for the full lifecycle of their products.

There’s an element of chance in my work since my materials are given to me and because each series of computer I open is different. It’s like a treasure hunt.  I know immediately if a piece is visually interesting or not (unless I’m in an indecisive mood). The visual excitement when a particular shape just POPS when in relation to a particular color or pattern is thrilling.

I weave in my background and love of Modernism by appropriating imagery from the past. Originally I built upon a surface made from old letters, post cards and other personal items that romantic people accumulate. Currently I incorporate digital imagery (mine, Modern Art, random print) which I alter with Photoshop.  The compositions place shapes of disassembled technology in relationship with abstract imagery with contrast, balance and repetition and suggest a connection or equivalence.

I grew up going to DeCordova summer camp where my creativity was always encouraged. At the age of ten I saw the Acropolis in Athens and knew I would be studying Art History when I went to college. Between visiting galleries and museums in NYC while at SUNY Purchase and a year in Paris, I developed my aesthetic sense and became focused on contemporary art.  After 5 years of doing administrative work at the ICA, I enrolled at Mass College of Art and earned a Masters in Art Education. I have run educational programs at the Cambridge Multicultural Arts Center, Boston Ballet, Museum of Fine Arts. Once I got out of the office and starting making art, I taught at Watertown Arsenal Center for the Arts, Parts & Crafts. I offer workshops to people of all ages at the Artisan’s Asylum and at various community events.

www.hackercreations.com

www.artisansasylum.com

www.etsy.com/shop/hackercreations

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Open Call: HackCycle Deadline for Submissions: May 25th

golden

The Nave Gallery (Somerville, MA) invites artists to participate in the curated exhibition, HackCycle.

HackCycle celebrates recycled art of the 21st century. We invite submissions from  artists, nerds, makers, burners and others who employ experimentation and serendipity using today’s technological debris and/or innovative techniques as part of their creative process.

The exhibition examines the transformation of bits, bytes, cruft, e-waste, circuits, doodads, odds & ends and more into objects of art. Work may (but is not limited to) demonstrate the use of 3D printing, laser cutters and/or CNC bots in combination with found art, assemblage and/or appropriation.

Entries sought may (but are not limited to) include unique and reimagined re-uses of the following elements:

 – robotics
– electronics
– sci fi
– cosplay
– anime, action figure toys & fun childhood memories

GUIDELINES:
– $15 entry fee payable through PayPal

– A maximum of five pieces may be entered for consideration

– Submissions will be accepted through September 8, 2015

– The Nave Gallery will retain a 30% commission for work sold

– Artist is responsible for cost of shipping work to and from the gallery

HOW TO SUBMIT YOUR WORK:
-Send up to five artwork submissions as .jpg files to info@navegallery.org.

-Each .jpg should be 1200 pixels in the long dimension and named as “NAME_#.jpg” where # is the submission number and NAME is your last name

-Include an image list with your jpeg submission email, indicating submission number, title, size, process and year, as well as a brief artist bio and statement

-There is a $15 submission fee, payable through Paypal. Paypal is available here. Please include “HackCycle” in the note field

– Please indicate where you learned of the call

Accepted pieces should be delivered to the Nave Gallery located in Teele Square (155 Powder House Blvd, Somerville, MA) ready to install.

CALENDAR:
Deadline for entries: May 25, 2015
Notification: May 30, 2015
Artwork drop-off: June 7, 2015
Exhibition dates: June 11 – July 11, 2015
Opening reception:  June 11, 2015; 6:00 pm-8:00 pm

ABOUT THE CURATOR:
Melissa Glick is a Boston-based artist and teacher who finds beauty in unexpected places. She creates dynamic compositions with abstract elements and bold colors by combining disassembled computer parts with appropriated imagery and personal relics. In addition to her work being fun and eye catching it address the environmental impact of our technological lifestyle and our emotional attachments to the “things” that represent and validate who we are. Melissa works out of the Artisan’s Asylum and is a proponent of the Maker Movement and the democratization of production. She has a Masters in Art Education from Mass College of Art and a BA from SUNY Purchase and has run educational programs at the Cambridge Multicultural Arts Center, Boston Ballet, Museum of Fine Arts, Watertown Arsenal Center for the Arts, Parts & Crafts and at various community events.  View her work at www.melissasglick.com